It’s a bank ad — a category that usually comes with strict rules and conventions. But here, the brief was the opposite: introduce a new card for a younger audience without explaining anything specific. No features, no details — just emotion, style, and pure vibe. Everything had to feel fast, bold, and dynamic, all produced on a very tight timeline. We took it a step further and treated the project as an experiment, blending 3D graphics

Hero Syndrome was born inside Toggle — a project of pure creative freedom.

This video is an advertisement for Fonbet, a partner of the FIFA Club World Cup.

A new project with a fusion of different techniques. 3D, 2D, collage, footage styling, etc. We rushed into the experiment with virtual and physical spaces. They're interconnected and mixed. It's our way of looking at the vast world of football.

Our client, a brand that produces various goods including jams, tasked us with creating a video for a new product line. The concept was to depict the perfect trip as a living painting. This project is a complex mixed-media collage, combining handwork with neural stylization.

The task in this project was to transform 45 seconds of filmed footage into a 2-minute show across 40 screens at Al-Arabia Time Square.

The Reebok project is part of a global campaign with a clearly defined visual direction. The goal: a hyper-synthetic training environment. Sterile geometry, chemical-toned magenta sky, completely detached from reality. Delivered in under a week. The pipeline: roof geometry build, styleframe approval, final render projected back onto the geometry and tracked to camera.

The project for the PARI brand is a classic 3D video in terms of technique and pipeline. The client wanted to infuse the video with the energy of sports flowing through the entire body without making it too "anatomical." Therefore, we came up with the concept of organ-robots. Since we did not need to invent an unusual approach technically, we focused on the animations and art direction themselves.

Together with Koshta Collective, we developed a visual toolkit for Major DOTA-2 championship, broadcasting from different parts of the world. We discovered the connection between locations by exploring visual imagery and constructing physical patterns that fit the narrative space of cybersport and DOTA-2 itself.

The Puma campaign video is built on freestyle-shot footage, with a visual direction inspired by The Matrix — atmospheric, stylised, and deliberately unpolished. Working closely with the director, we developed effects directly on the existing footage without a predefined plan: custom interfaces, transitions, distortions, and structural breaks of the sneaker itself. The sneaker treatment required a specific workaround — no 3D model, no scan access. Instead, we suspended and placed the shoes on a platform, captured 360° video, and re-animated the footage to read as a 3D render.

We consider it brilliant when ideas and visual realization perfectly work together. So, this is exactly the case. Acid Hedgehog, daring mix of 2D and 3D techniques.

Full CG production for a TV and digital campaign on Canadian market.

The Xiaomi Google project follows two scientists conjuring a phone from nothing. The brief called for a maximally cinematic opening that quickly deflates into something far more grounded — all within a very tight runtime. The approach: a sci-fi backdrop projected onto LED screens, timed frame-accurately to the shot with slow-motion factored in. A single camera move had to capture the scientists converging, wind hitting them, and the background reacting — all in sync within one heavily slowed take. The 3D phone model was then composited on top, serving as a transition point into the following scenes. The result was a highly controlled pipeline where every element of the image was built and tracked in tandem.

In this intro concept everything is born from one object. A bold example of implementing generative art, 2D and 3D.

A classic explainer format showcasing the core features of Revolut. The challenge: creating the video within a strict set of internal brand guidelines that directly shaped every creative decision throughout the process. Despite the tight constraints, we found room to make the video both accessible and visually engaging — through a multi-window composition where the windows interact with each other, keeping the viewer's eye moving without breaking the brand rules.

Straight forward and clean approach to the new logo and style developed by ESH Gruppa found its’ realization in a sharp 3d by free.bastard and finally alived by Toggle.

The client for this project was the organizer of an educational festival. It was important for them to create a visual style for various media, including the website, social networks, and a real studio where the filming took place.

A great opportunity to combine our director’s approach with an infinite graphics trip in the advertising campaign for Mango Insurance company

Conference opening video for Veeam — one of the market-leading company in B2B cloud storage and data management.

In this video, where Toggle was responsible for both graphics and directing the shooting process, works of several contemporary artists are showcased, along with hidden references to their creations. The video, composed of live-action footage, 2D, 3D, and collages, was broadcast offline on digital billboards.

The down-cut of our craft motion design contribution to the video for Adobe and Adobe MAX to celebrate great winners illustrators.

Our project for the basketball team. We blended live-action footage with puppet animation, taking inspiration from Monty Python.

Digital campaign to promote a chain of sporting goods stores.

A video manifesto for Pepsico's energy drink brand, with art direction by Toggle. We were responsible for both the graphics on the screens visible in the video and the art direction of the graphics outside the screens. This project includes 2D collages from videos sent by the athletes featured in the video. Toggle adapted these materials to match the video's identity. For the screens, we developed generative graphics.